Lord Bateman- Hough (VT) 1940 Flanders V
[From Flanders; Ancient Ballads, 1966. Notes by Coffin follow.
R. Matteson 2014]
Young Beichan
(Child 53)
This ballad has an extensive Anglo-American tradition and still is well known on both sides of the Atlantic. The American songs all trace back to early broadsides[1] and song books and quite generally refer to the hero as Lord Bateman or Bakeman. These texts vary somewhat in minor detail, but follow the Child L pattern as to plot outline, significant facts, and length. Nevertheless, a good many scholars have devoted a good bit of time to the minor variations of the American versions and more particularly to identifying the printed sources of the ballad in the New World. George L. Kittredge JAF, XXX, 295-97) used "the hole bored in the hero's shoulder" as a means of distinguishing texts closely akin to Child L from those related to the Coverly broadside in the Isaiah Thomas Collection, Worcester, Massachusetts, and Phillips Barry, British Ballads from Maine, 106 f., continues the probings and points out the "hole in the shoulder" stanza is characteristic of the South. There is also a good bit of information along similar lines in Jane Zielonko's Master's thesis, "Some American Variants of Child Ballads" (Columbia University, 1945), 83 f.
The Flanders versions below have been divided according to the findings of these researchers. Texts A-J seem to be similar to the Coverly broadside or to the version printed in the J. S. Locke of Boston Forget-Me-Not Songster (See A particularly) that goes back to an earlier broadside Coverly may have used. K-S are close to the text printed by Lucy E. Broadwood and J. A. F. Maitland in English Country Songs (London, 1893) and cited by Barry, op. cit., 116. This is a form of the song still known in Britain that evidently found its way into print in New England. In this series (see K-O) the hero's shoulder is not bored through as in many Child texts, but Bateman is tied to a tree[2]. T, it will be noted, contains further modifications and a compression
of the narrative. But, all in all, the Flanders texts are pretty typical of the northern findings for this ballad. Child, I,455 f., discusses the affinities of this song and the legend associated with Gilbert a Becket in the Middle Ages. However, analogous stories are known about Henry of Brunswick, Alexander von Metz, and a host of other heroes in Scandinavian and southern European balladry. A start on a bibliography can be had in Coffin, 63-65 (American); Dean-Smith, 5 (English) ; Greig and Keith, 40-43 (Scottish) ; and the notes in Child. Kittredge's JAF article contains a number of references, not easily available elsewhere, to printed American texts of "Lord Bateman" and its relative "The Turkish Lady." The latter, listed by Laws as O 26 and possibly derived from "Lord Bateman," is also immensely popular in America. Laws, AEBB,238, and Coffin, 65, give a
good many references for it.
The eight tunes for Child 53 are all related, and all correspond to tune group A in BC1. Two subfamilies appear: 1) the Davis, Kennison, Pierce, and Burke tunes, characterized by a triad at the beginning, this group corresponds to BCI group Aa. The other tunes together fit in with BCI group Ab, the Morton tune being relatively divergent from the others, however.
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1. In my opinion, this statement is simply inaccurate, "the American songs all trace back to early broadsides." Consider, for example, the Hick/Harmon version (Susan Price/Young Behan) which was collected from three different family members which they brought from Virginia (circa late 1600s) to the Carolina mountains probably around 1770 and has been passed strictly through oral tradition since then. [R. Matteson 2014]
2. It's likely that the "tied to a tree" reference is, in fact, derived from the "hole in the shoulder" texts, via faulty oral transmission. After all, there aren't many prisoners tied to a tree in a jail cell. [R. Matteson 2014]
V. Lord Bateman. As recited by Mrs. Anna Fiske Hough of Brandon, Vermont. She learned, this from her English mother many years ago. M. Olney, collector; May 2, 1940, deteriorated; July 7, 1942-Retake [1].
Lord Bateman
"Is this Lord Bateman's Palace?
Is the Lord himself within?
. . .
. . .
"Bid him remember three cuts of bread,
Bid him remember the wine so strong;
And ask him if he's forgot the lady,
Who set him free from his prison throng (thong?)"
He then rose up from out his chair,
He split the table in Pieces three,
Saying, "I'll wage my house and living,
If Susy Fry hasn't crossed the sea.
"Adieu to you, my wedded wife,
For this fair maiden I will see."
Then spoke up the bride's mother,
And she was a lady of high degree.
"He will forsake our own dear daughter
All for the sake of Susy Fry."
"Your daughter's none the worse for me,
She came here on a horse and saddle;
She shall go home with her coach and three."
1. The two versions were identical.