Bluegrass Messengers

Banjo Pickin' Girl C 2007 painting by Richard L. Matteson Jr.

Above is my painting of Lily May Ledford. Little did I know I would learn so much about her when I painted this.

I've been listening to Gems: Lily May Ledford. This striking collection of songs, instrumentals and stories showcases the natural talent and honest humor of Lily May. She was born on March 17, 1917 in a remote area of Red River Gorge, Kentucky called Pinch 'em Tite Hollar.

After reading her unpublished autobiography (loaned to me by her grandaughter), I can only reflect with awe as I read her recounting of her childhood and her rise to stardom with the Coon Creek Girls on the radio, highlighted by her performance at the White House for President Franklin Roosevelt and his wife, Eleanor who were visited by the king and queen of England.

Lily May's talent in music can only be compared to my friend Doc Watson. They have a special quality that transcends the flesh; when I listen to them I feel as if I'm immersed in a spiritual sea filled of honesty human emotion. I'm writing a proposed article about Lily May for the Old-Time Herald. I'll be sharing part of her life with you. By sharing, she'll be making our lives better which is something she would have wanted.

Early Life
Lily May Ledford was born on a tenant farm in a remote area of Kentucky called Red River Gorge on March 17, 1917. Later, after achieving fame on the radio, Lily May was said to have come from Pinch'Em Tight Holler. The original Ledford family came to America in 1738. They bought land together in Virginia near the Roanoke River in the 1750s and moved to Randolph County, NC by 1769.

Lily’s father Daw "White" Ledford was born on Nov 23, 1882. He was the fourth generation of Ledfords born in Kentucky and married Stella May Tackett about 1907. Lily's parents were tenant farmers and life wasn't easy. Of the 14 children four died shortly after birth and several others died when still young.

"The main source of our livelihood was farming the steep cleared hillsides and the spare bottom land along the banks of the Red River and the many creeks, "said Lily May, "our main crop was corn and sorgum cane."

"We raised many vegetables in the many smaller patches ground closer to the house. We supplimented this with wild game, fresh berries, grapes, nuts and many kinds of wild greens. We raised hogs for meat and kept a milk cow or two."

"Our underclothing was made of flour sacks and shoes were bought only for winter and paid for with furs Papa trapped and sold."

This was related to me by Cari Norris Lily May's granddaughter, "Another great story she told was about her and her brother, Coyen: When they were little, their parents sent them to plant watermelons by the river in the spring and gave them a huge can of watermelon seeds. They planted about half the seeds, then decided they would dig a big hole, and dump the rest of the seeds in. They spend the rest of the afternoon fishing by the river and caught several fish, which really pleased their parents. But when a huge mass of watermelon vines grew in one spot a bit later, their parents figured out what they had done and I think they got spankings. Lily May enjoyed hunting and fishing in Red River."

According to Lily May, "Sometimes neighbors would visit at night with a banjo and Papa would take down his fiddle and they would play far into the night. Us little boys and girls would sit on the floor spell bound."

White Ledford also played the banjo, guitar and pump organ and Lily May learned to play both the fiddle and the banjo. One of the songs she learned from her father was John Henry when she was around 7 or 8 years old. Now Cari Norris plays the song on Lily May's banjo. John Garst, one of the leading researchers on the John Henry Ballad, was excited to see the lyrics. This was one of Lily May's favorites:

John Henry
(Lily May Ledford version, learned from her father, Daw White Ledford circa 1924)

When John Henry was a little bitty boy, sittin’ on his daddy’s knee;
He said the Big Ben tunnel on the C & O road, is gonna be the death of me; Lord, Lord, is gonna be the death of me.

When John Henry was just seven years old, holdin’ to his Mama’s hand; He said, “If I live to be 21, I’m gonna make a steel drivin’ man; Lord, Lord,...

Well John Henry made a steel drivin’ man, belonged to the steel drivin’ crew; And every time his hammer came down, you could see the steel walkin’ through, Lord, Lord...

John Henry had a pretty little woman, her name was Polly Ann; John Henry got sick and he could not work, Polly drove the steel like a man; Lord Lord...

Well they put John Henry on the right hand side, they put the steam drill on the left; He said before I let that old steam drill beat me down, I’ll hammer my fool self to death, Lord, Lord...

John Henry went up the boss and said, oh boss, how can it be; You know the rock is so hard and the steel is so tough, I feel my muscles givin’ way; Lord Lord...

Then John Henry went up on the mountain side, he looked to the heavens above; He said take this hammer and wrap it in gold, and give it to the woman I love; Lord, Lord...

So they took his hammer and they wrapped it in gold, they gave it to Polly Ann; And the last words John Henry ever said to her were, Polly , do the best you can; Lord Lord, ....

If I die a railroad man, bury me under the tie; So I can hear old number 4, as she goes rollin by;
Lord Lord....

But if if die a steel drivin’ man, bury me under the sand; With a pick and shovel at my head and feet and a nine pound hammer in my hand; Lord Lord...

1938- A Big Year
Coon Creek Girls performance at the White House for President and Mrs. Roosevelt and the King and Queen of England on June 8, 1938 was the highlight of their career.

You can hear Lily May give an account of the event on "Gems: Lily May Ledford" a CD produced by her granddaughter Cari Norris on JuneApple. If you want to get a copy you can get one here: http://www.elderly.com/recordings/items/JUN-CD078.htm This striking collection of songs, instrumentals and stories showcases the natural talent and honest humor of Lily May.

John Lair met banjoist Bascom Lamar Lunford at a folk festival  in Asheville, NC. When Lunsford attended the National Folk Festival in Chicago in 1937 he visted with Lair in Chicago. Lair was appointed to the Board of the National Folk Festival by director Gertrude Knott as "a student of the origins of folk music." Lair was working at WLW in Cincinnati having started the Renfro Valley Barn Dance. Lair asked Lunsford to find talent for WLW and teach square dancing to various clubs in the Ohio valley. Lunsford also performed on WLW’s Saturday night concerts.

Knott asked Lair and Lunsford to organize the Ohio Valley Folk festival to find talent for the next National Folk Festival to be held in Washington DC later that year. Lair included the Coon Creek Girls and Red Foley to the Festival roster. On March 27, 1938 Ohio Valley Folk festival sponsored by WCKY was held in the Cincinnati Music Hall. The Library of Congress, to record the event, dispatched Alan Lomax. The Coon Creek Girls highlighted the event and secured a spot along with Robert Day on the National Folk Festival roster for 1938 plus important connections with Lunsford and Lomax that would help them later in the year get an invitation to perform at the White House.

After the Festival recording engineerAlan Lomax complained about all the hillbilly music. Back then hillbilly music was commercial country music and not folk music that a purist would follow. Director of the National Festival Gertrude Knott seemed to approve of the Coon Creek Girls and Lair promoted them as Kentucky girls from remote mountain areas that sang old ballads. Years later Alan Lomax seemed later to change his mind and invited Lily May to star in his theater production.

According to a Washington Post newspaper report with a photo: "These Kentucky mountain girls make up one of the winning teams from the Ohio Valley Festival held in Cincinnati in preparation for the National Festival. Each plays all four instruments in the picture and sings ballads known in their families for generations."

In May the National Folk Festival directed by Gertrude Knott was held for the first time in Washington DC at Constitution Hall. The Coon Creek Girls and Robert Day accompanied by John Lair made the trip financed by a mere $92 from the Ohio Valley Festival.

Also in May 1938 John Lair went with the girls and A’nt Idy Harper to record their first session with Vocalion Records under Uncle Art Satherley. They recorded nine songs including "Little Birdie," "Pretty Polly" and two of Lair’s songs. At this session they also recorded the song that Lily May would become identified with: "Banjo Pickin’ Girl." Lily May was already being called "Banjo Pickin' Girl" on her WLW shows.

The White House
Late in 1938 an invitation came for the Coon Creek Girls to perform at a White House concert for President and Mrs. Roosevelt in honor of King George VI and Queen Elizabeth who were to visit in June 1939. Perhaps the invitation was made through Lunsford, who knew the First Lady Eleanor Roosevelt from the 1933 White Top Festival. Lily May thought it came from the Coon Creek Girls performance in Washington DC at the National Festival although I haven't found any record of Eleanor Roosevelt attending but she may have or at least heard a radio broadcast. John Lair later credited Alan Lomax although Lair couldn't remember his name, with the invitation.

Regardless of who secured the invitation, the first royal visit to the States by King George VI and Queen Elizabeth while visiting the Roosevelt’s would feature a performance by Lily May and her Coon Creek Girls.

Mrs. Roosevelt decided the concert would show a cross section of American music. Bascom Lamar Lunsford and his square dancing group was invited along with Marion Anderson the concert contralto, opera baritone Lawrence Tibbet, pop singer Kate Smith, folklorist Alan Lomax, and The Coon Creek Girls. Local churches formed a black gospel choir to sing spirituals.

John Lair was not invited but he and his wife decided to accompany The Coon Creek Girls to Washington to attend this prestigious event. Arriving several days before the June 8 performance Lily May recalled "The day of the concert we went over for an early rehearsal. We went through the material we were going to do that night. A distinguished looking gentleman came to the door and listened for a while. Then he asked how long I’d been playing and I said, "I’ve been playing a long time." He said he played a little and asked if he could play with us. Then he said "I’ll get my fiddle."

"After getting his fiddle he introduced himself as Cactus Jack so that’s what I called him. We went to another room. He would play a tune then I’d play one. Then we’d both play one together. This went on for quite some time. We barely made it out in time for the show." Later John Lair told Lily May that Cactus Jack was in fact Vice President John Nance Garner, a pretty fair country fiddler!

Each performer was scheduled to do three songs plus the Coon Creek Girls would play fiddle tunes for Bascom Lamar Lunsford’s square dance group. So on the evening of June 8, 1939 limousines began to deliver the cream of Washington D.C. society to the East Room of the White House. Security was tight as President and First Lady, Franklin and Eleanor Roosevelt were entertaining King George VI and Queen Elizabeth of England. John Lair, who wasn’t invited followed the Girls limousine with his wife in their car. The only way he could get in was to carry the bass fiddle for the Girls.

"Well on Renfro Valley he was boss," explained Lily May. "So here we were the stars with him behind us toting the big bass fiddle. Security stopped him and searched the pockets of the case, shook the bass fiddle and looked in the fiddle. They finally decided to let Mr. Lair in but they turned his wife away." Viginia Lair, who had bought a new dress for the occasion, reportedly left in tears.

"We were ushered up there while Alan Lomax was playing his final song, Old Chisolm Trail," said Lily May. "We ran out there an lit right in to ‘How Many Biscuits Can You Eat,’ that was the song they told us Mrs. Roosevelt wanted. I glanced out of the corner of my eye and right down there they were…the King and Queen in the front row. Why they were so close you could have spit on ‘em."

Lily May continued, "The king had rather a long-faced, dour, deadpan look, and he worried me a little. Then as I glanced down, I caught him patting his foot, ever so little, and I knew we had him."

The Coon Creek Girls played another FDR favorite, "Get Along Miss Cindy" as well as an English ballad, The Soldier and the Lady, in honor of the royal couple. They also played "Buffalo Gals" for Lunsford’s square dance group from North Carolina.

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1938 was a big year for the Coon Creek Girls: Lily May (photo on left) and Rosie Ledford with Ester Koehler (guitar, vocals and mandolin) a contest winner from Ohio and Evelyn Lange (fiddle and bass) another contest winner from Wisconsin. They had just had their first radio performance in Oct. 1937 and were becoming stars on WLW radio in Cincinnati on The Renfro Valley Barn Dance. Kentucky native John Lair had created the Renfro Valley show after leaving WLS in Chicago and bringing Lily May and other stars like Red Foley with him.

Renfro Valley
Renfro Valley and the Renfro Valley Barn Dance were created by John Lair after John and Lula Renfro, the first settlers in Lair’s Kentucky home area in Rockcastle County.

It's important to know that these events directly shaped bluegrass music. Karl and Harty and WLS were imortant influences on the Monroe Brothers and Bill Monroe in particular, who impressed the duo with his fast mandolin playing. More on the Monroes in future blogs.

John Lair was born on July 1, 1894 in Rockcastle County, Kentucky. His father was a farmer and Lair attended a one-room school before going on to finish high school in the county seat town of Mount Vernon. After army service in World War I, he worked in a variety of jobs that included teaching school and editing a small-town newspaper. Work as an insurance company claims adjuster brought him to Chicago in the late 1920s where he became interested in radio.

He formed the the first and most famous edition of the Cumberland Ridge Runners, by combining Karl Davis and Hartford Taylor (Karl and Harty and also performed under the name of the Renfro Valley Boys) with banjo and guitar player Hugh Cross and a fiddler named Homer Miller who was known for off-the-wall antics. Cross was already a well-established country crooner and collaborator on the earliest recordings of songs such as "Red River Valley" and "Wabash Cannonball." Lair created a hillbilly image for the outfit, dressing them all in checked shirts, straw and overalls. A famous photograph of them shows them in front of what looks like a rustic log cabin, but was actually a replica of Fort Dearborn created for the 1933 Chicago World's Fair.

A red-haired vocalist and bassist named Clyde Foley was hired to take part in comical sketches with Miller as well as play music; he soon changed his name to Red Foley and went on to become a huge country star. Another featured part of the group for a time was singer and banjo player Linda Parker, also known as "The Sunbonnet Girl." She was really forced to ham-up the hillbilly part and was always dressed onstage in a frilly gingham dress.

Lair eventually was employed by WLS as producer, emcee, and music librarian. As Lair became interested in discovering the real life events upon which old songs were based, he began accumulating a large sheet music collection and gained a reputation as an authority on folk music.

Lair’s dream had come true, much to the appreciation of audience members who filled the auditorium and the many thousands of radio listeners. Lair functioned on stage as emcee and guided the program, song by song, week by week and it was broadcast on radio station WHAS in Louisville. After the departure of partners Red Foley and Whitey Ford, Lair now controlled every facet of the performer’s lives.

Leaving Renfro Valley

The 1940s were the best years of Renfro Valley. Huge crowds descended on the valley where time stands still to see the Coon Creek Girls, Homer and Jethro and the talented acts John Lair had created.

Lily May married and had a child, Benjamin Joseph, "Benny Joe" on May 16, 1943. The union did not last. Lily kept working and bought a house in Mt Vernon. "I was finding life hard in many ways by now," said Lily May. While her brothers went overseas to fight in the War, Lily May struggled to keep the Coon Creek Girls going. "For several years the Coon Creek act was touch and go, being shattered again and again by pregnancies or illnesses. We were losing prestige and fading from the radio little by little."

Around 1946 Lily May "remarried a returning soldier who had sung bass in a gospel quartet." Glenn Pennington became the father of her next three children; Barbara, Jimmy and Bobby. Glenn eventually became the Master of Ceremonies (emcee) at Renfro Valley and managed several touring groups.

Lily May appeared by herself in the Alan Lomax ballad opera "The Martins and the Coys" in 1944. A once-in-a-lifetime cast featured Will Geer, Woody Guthrie, Burl Ives, Lily May Ledford, Pete Seeger, Fiddlin' Arthur Smith, and Hally Wood. In the early 1950s Lily May was again featured this time with the Coon Creek Girls in Lomax’s mountain ballad opera, "The Old Chisholm Trail" in New York. This time Cisco Houston and Wade Mainer and his Mountaineers were added to the star studded line-up.

One of the last big shows the Coon Creek Girls did was Sunshine Sue’s Old Dominion Barn Dance which went to Broadway in 1944-45. Needing a banjo player Sunshine Sue hired Lily May and the Girls headed to New York where they shared the bill with Flatt and Scruggs’ Foggy Mountain Boys and met Ralph Rinzler, who was there attending Columbia University.

By the mid-1950s TV was quickly replacing radio as American's form of entertainment. Sponsors began pulling out of the Renfro Valley Barn Dance. "An unhappiness had set in," recalled Lily May, "and we yearned for the first great years of Renfro, plenty of shows, hundreds of thousands of paying guests, the horse races, ball games and mule races (which I rode one for fun)."

After 20 years (1937-57) the Coon Creek Girls called it quits. Lily May's marriage also ended and she devoted much of her time raising her children after moving to Lexington, Kentucky. It's not surprising that they all became involved with music.

Her son, J.P. Pennington, was a founding member of the highly successful country-pop group, Exile. His original songs have been recorded by such popular acts as Alabama. Bob Pennington, played drums and keyboards in the Renfro Valley Band. Her grandaughter Cari Norris now plays Lily's banjo and performs Lily's songs. Will the circle be unbroken...

Her Second Career
With the resurgence of the folk music scene in the late 1960s and '70s, Lily May started her second career. Ralph Rinzler, Mike Seeger, John Ullman, Alice Gerrard, Ellesa High, Loyal Jones, and others played an important part in bringing her talent back to new audiences at folk festivals across the country.

Lily May's solo performances delighted audiences with her charismic stage presence, singing, excellent fiddle and banjo work. After several years of illness she passed away in 1985.

Now she has taken the songs and stories from the hills of Kentucky 'round the world. She truly is- a banjo pickin' girl.