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Pretty Polly/Gosport Tragedy/Cruel Ship's Carpenter
Pretty Polly; Painting by Richard L. Matteson Jr. C 2009
Old-Time, Song & Breakdown
ARTIST: from Dock Boggs 1927 version;
Watch David Holt play Version 3: http://www.youtube.com/watch?v=TIA2D0jfF6Q
CATEGORY: Fiddle and Instrumental Tunes DATE: One source states: Gosport Tragedy was popular in England and colonies early 1700s; Printed source of Cruel Ship's Carpenter dates to 1767 (Journal from the Vaughn).
RECORDING INFO:
Estil C. Ball, "Pretty Polly" (on LomaxCD1701, LomaxCD1705); "Pretty Polly" (AFS, 1941; on LCTreas)
Frank Bode, "Pretty Polly" (on FBode1)
Dock Boggs, "Pretty Polly" (Brunswick 132A, 1927); (on Boggs1, BoggsCD1)
Coon Creek Girls, "Pretty Polly" (Vocalion 04659, 1939; Perfect 16102, 1935?)
Bill Cornett ,"Pretty Polly" (on MMOKCD)
Cranford & Thompson, "Pretty Polly" (Melotone 45092, 1935)
John Hammond, "Purty Polly" (Challenge 168, 1927)
Lester McFarland & Robert Gardner, "Pretty Polly" (Brunswick 116, 1927)
Ivor Melton & band, "Pretty Polly" (on Persis1)
Pleaz Mobley, "Pretty Polly" (on JThomas01)
New Lost City Ramblers, "Pretty Polly" (on NLCR13)
Jean Ritchie, "Pretty Polly" (on RitchieWatson1, RitchieWatsonCD1)
Sauceman Brothers, "Pretty Polly" (Rich-R-Tone 457, n.d.)
Pete Seeger, "Pretty Polly" (on PeteSeeger16)
Lee Sexton, "Pretty Polly" (on MMOKCD)
B. F. Shelton "Pretty Polly" (Victor 35838, 1927; on BefBlues1)
Stanley Brothers, "Pretty Polly" (Columbia 20770, 1951)
Pete Steele, "Pretty Polly" (AFS 1587/1702, 1938; on PSteele01, KMM)
Turner & Parkins, "Pretty Polly" (Superior 2635, 1931)
Jack Wallin, "Pretty Polly" (on Wallins1)
Shanachie 6040, Gerry Milnes & Lorraine Lee Hammond – “Hell Up Coal Holler” (1999). Tradition Records TLP 1007, Hobart Smith ‑ "Instrumental Music of the Southern Appalachians" (1956).
RELATED TO: Gosport Tragedy; Cruel Ship's Carpenter
OTHER NAMES: Pretty Molly; Dying Polly; Oh Polly; Gosport Tragedy
SOURCES: Ceolas; Folk Index; Traditional Ballad Index; Mudcat
Randolph 153, "Pretty Polly" (2 texts plus an excerpt, 1 tune)
BrownII 64, "The Gosport Tragedy" (3 texts plus 1 excerpt and mention of 1 more; Laws lists the "A" text as P36A, and the rest as P36B, but "D" and probably "C" are "Pretty Polly")
Brewster 64, "Pretty Polly" (1 text plus a fragment)
Leach, pp. 698-700, "The Gosport Tragedy" (2 texts, but only the second goes with this piece; the first is, obviously, "The Gosport Tragedy")
Wyman-Brockway I, p. 79, "Pretty Polly" (1 text, 1 tune)
Wyman-Brockway II, p. 110, "Pretty Polly" (1 text, 1 tune)
Fuson, pp. 69-70, "Pretty Polly" (1 text)
McNeil-SFB1, pp. 140-141, "Pretty Polly" (1 text, 1 tune)
JHCox 89, "Come, Pretty Polly" (3 texts, 1 tune)
JHCoxIIA, #17A-C, pp. 73-78, "Pretty Polly," "Come, Polly, Pretty Polly" (2 texts plus an excerpt, 2 tunes; the "A" text is the full "Cruel Ship's Carpenter" version; "B" is the short "Pretty Polly (II)"; the "C" fragment is too short to tell but has lyrics more typical of the latter)
MHenry-Appalachians, pp. 53-54, "" (1 text, very short even by the standards of this worn-down song)
Scarborough-SongCatcher, pp. 128-134, collectively titled "The Cruel Ship's Carpenter" but with individual titles "Pretty Polly," "Dying Polly," "Pretty Polly," "Pretty Polly," "Pretty Polly," "Oh, Polly!" (6 texts; 5 tunes on pp. 395-398; of these only the "C" text has a ghost; in "D" and "E" there is no ghost but Willie's ship sinks; these presumably should file with Laws P36, while "A," B," and "F" go here)
Lomax-FSUSA 84, "Pretty Polly" (1 text, 1 tune)
Darling-NAS, pp. 143-144, "Pretty Polly" (1 text)
Silber-FSWB, p. 227, "Pretty Polly" (1 text)
NOTES: Old‑Time, Air. Paul Clayton says the song was derived from an English broadside called "The Cruel Ship's Carpenter" or "Gosport Tragedy" in American tradition Polly is led over hills and deep valleys until finally murdered. Gerry Milnes calls it a “time-worn chestnut,” widely sung and played. The American version's plot is: Willie urges Polly to go riding with him "some pleasure to see" before they get married. Although she is "afraid of his ways," she comes, only to find her new-dug grave awaiting her. Willie kills and buries her and heads home (or out to sea) while the wild bird mourn.
"The Cruel Ship's Carpenter" dates back to England in 1767 found in a Journal from the Vaughn. The basic plot is: The carpenter gets the girl pregnant. They meet, allegedly to plan their wedding. He announces he spent the night digging her grave, then murders her. He flees to sea; her ghost follows to demand justice. His crime is revealed, and the man dies
Pretty Polly is a shortened form of "The Gosport Tragedy." Although no clear line between the two can be drawn "The Gosport Tragedy" includes the ghost and "Pretty Polly" omits it. Many if not most American versions are probably traceable back to B. F. Shelton's recording, which was enormously (and deservedly) popular.
According to J. M. Jarrell of Wayne Co., WV, cited by J. B. Cox in "Traditional Ballads Mainly From West Virginia," in the early 19th century one Polly Aldridge was murdered by William Chapman, who was convicted and executed in Martin Co., KY, and this ballad was being sung about the killing c. 1850.
Bluegrass recordings by Raph Stanley (1951 Stanley Brothers) and recently Patty Loveless with Ralph Stanley have kept this murder ballad popular in bluegrass circles. Some Stanley versions including a live version on Youtube omit the stabbing verse, I presume, as an attempt to make the song politically correct.
"Pretty Polly" from Paul Wiley:
Boggs' 1927 recording has no stabbing. It seems to me that we can conclude only that the unfortunate lass was buried alive. That transcription is from Barry O'Connell who notes that Brown ['North Carolina Folklore II] has several variants of 'Pretty Polly' from which Boggs' version comes. He refers also to an interesting, but different, version in Leonard Roberts 'Sang Branch Settlers'.
In Boggs' later version [June 1963 for Folkways], there is no murder at all. Boggs finishes with the penultimate verse of his 1927 version, with Polly falling asleep. Mike Seeger noted, however, in 'Dock Boggs: His Folkways Years' [2CD reissue - Smithsonian/Folkways] that Boggs sometimes sang the last line as 'He threw her in the river where the water's twenty foot deep'.
Another superb old-timey performance of this ballad is B.F. Shelton's 1927 recording which has been reissued on 'Music of Kentucky Vol I' Yazoo 2013. The first commercial recording was by John Hammond (vcl/bjo) in 1925, but not issued until 1926.
Here is the text of Boggs' 1927 version:
PRETTY POLLY [Dock Boggs 1927 version]
I used to be a rambler, I stayed around in town
I used to be a rambler, I stayed around in the town
I courted Pretty Polly, and her beauty has never been found
Oh where is Pretty Polly, oh yonder she stands
Oh where is Pretty Polly, oh yonder she stands
With rings on her fingers, her lily-white hands
"Pretty Polly, Pretty Polly, come take a walk with me
Pretty Polly, Pretty Polly, come take a walk with me
When we get married, some pleasure to see"
He led her over hills and valleys so deep
He led her over hills and valleys so deep
At length, Pretty Polly, she began to weep
"Oh Willy, oh Willy, I'm 'fraid of your way
Oh Willy, oh Willy, I'm 'fraid of your way
Your mind is to ramble and lead me astray"
"Pretty Polly, Pretty Polly, you're guessing about right
Pretty Polly, Pretty Polly, you're guessing about right
I dug on your grave, two thirds of last night"
They went on a piece farther and what did they spy?
Went on a piece farther and what did she spy?
A new dug grave and a spade lying by
She threw her arms around him and began for to weep
She threw her arms around him and began for to weep
At length Pretty Polly soon fell asleep
He threw the dirt over her and turned away to go
Threw the dirt over her and turned away to go
Down to the river where the deep waters flow
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