Greensleeves- Traditional Arr. Richard Matteson

Greensleeves (Easy Version)
What Child is This?- Arranged R. Matteson

Greensleeves/What Child is This?

Public Domain, Classic Guitar; Richard Matteson C 1986  

ARTIST: From Richard Matteson (Easy Version)

YouTube: http://www.youtube.com/watch?v=Tq8kqZl7CEI


SHEET MUSIC:

CATEGORY: YouTube Videos by Richard Matteson 

DATE: 1580;

RECORDING INFO:  Greensleeves [ON 994/OND 209]

Rt - Greensleeves Gallaird ; Bacca Pipes Jig
At - Green Sleeves ; Little Bogtrotter
Rm - Greensleeves and Yellow Lace ; Green Sleeves
Mf - What Child is This? ; Where the Lilac Grows ; Blacksmith (Ballad) ; Old Year Now Away Has Fled
Pb - Variation on an Old English Theme (Greenstamps)
Snyder, Jerry (arr.) / Golden Guitar Folk Sing Book, Hansen, Fol (1972), p 61
Leisy, James / Songs for Pickin' and Singin', Gold Medal Books, sof (1962), p100
Lynn, Frank (ed.) / Songs for Swinging Housemothers, Fearon, Sof (1963/1961), p148
One Thousand Fiddle Tunes, Cole, Fol (1940), p 75 (Green Sleeves)
Best, Dick & Beth (eds.) / New Song Fest Deluxe, Hansen, Sof (1971/1948), p 25
Best, Dick & Beth (eds.) / New Song Fest Deluxe, Hansen, Sof (1971/1948), p 25
Tobitt, Janet E. (ed.) / Ditty Bag, Tobitt, Sof (1946/1939), p 80 (My Lady Greensleeves) O'Neill, Francis / O'Neill's Music of Ireland, Collins, Fol (1903/1964), # 994 (Green Sleeves)
O'Neill, Francis and James / Dance Music of Ireland. 1001 Gems, Walton's, Fol (1907), # 209 (Green Sleeves)
Krassen, Miles (ed.) / O'Neill's Music of Ireland, New and Revised, Oak, Fol (1976), p 50 (Green Sleeves)
Kines, Tom (ed.) / Songs from Shakespeare's Plays and Popular Songs of S, Oak, Fol (1964), p 23
Sandburg, Helga (ed.) / Sweet Music, Dial, Bk (1963), p140
Silverman, Jerry / Folksingers Guide to Note Reading and Music Theory, Oak, Sof (1966), p43,p52
Hughes, Norman / Hammered Dulcimer, Mel Bay, Sof (1979), p21
Hughes, Norman / Hammered Dulcimer, Mel Bay, Sof (1979), p21b
Leisy, James F. (ed.) / Folk Song Abecedary, Bonanza, Bk (1966), p145
Herder, Ronald (ed.) / 500 Best-Loved Song Lyrics, Dover dn500/500, Sof (1998), p123
Abe and Malka. Mandelblatt, Abe & Malka A. / 100 Guitar Accompanyments, Amsco, Sof (1974), p175
Ambrosian Singers. Greensleeves and Other Favorite Folk Songs, RCA (Victor) CSC-313, LP (1965), trk# B.01
Auldridge, Mike. Dobro, Takoma D 1033, LP (1972), trk# 9
Austen, Seth. Christmas Day in the Morning, Kicking Mule KM 181, LP (1984), trk# 2
Baker, Janita. Fingerpicking Dulcimer, Kicking Mule KM 219, LP (1982), trk# B.02
Baldwin, Stephen. English Village Fiddler, Leader LED 2068, LP (1976), trk# 2 [1954/06/22]
Ball, Patrick. Celtic Harp, Vol II. From a Distant Time., Fortuna For 011, Cas (1983), trk# A.02
Biehl, Chuck. Some for Love and Some for laughs, Biehl END 201, LP (1983), trk# A.05
Bradbury, Frank. Bradbury, Frank / Mel Bay Banjo Method. Vol 2. (5-String), Mel Bay, sof (1967), p28
Brill, Marty. Roving Balladeer, Mercury MG 20178, LP (1956), trk# B.02
Bushnell's Basin Delegation. Time in Our Lives, Bushnell's Basin BBD-7901, LP (1979), trk# B.03
Compton, Dan. Dulcimer Christmas, Doherty, Compton, Einh.. WD-003, Cas (1987), trk# B.02
Conger, Larry. September on the Mississippi, Highland House --, CD (Hig), trk# 8
Conway, Pat. Conway, Pat / Soodlum's Irish Tin Whistle Tutor, Soodlum, Sof (1980), p 9
Dane, Barbara. Anthology of American Folk Songs, Tradition TR 2072, LP (196?), trk# B.06
De Cormier, Robert; Folk Singers. Dance Gal - Gimme the Banjo, Command RS 865 SD, LP (1964), trk# A.05
Doan, John. Remembrance. Melodies from a Forgotten Era, Tapestry TD 1001, CD (1993), trk# 3 (Remembering Greensleeves)
Dyer-Bennet, Richard. Twentieth Century Minstrel; Folk Songs & Ballads, Decca DL-9102, LP (196?), trk# 10
Dyer-Bennet, Richard. Richard Dyer-Bennet No. 5. Requests, Dyer-Bennet 5000, LP (1958), trk# A.01
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Heath, Gordan; and Lee Payant. Folksongs and Footnotes, Abbaye 1, LP (1956), trk# B.03
Ives, Burl. Ives, Burl / Burl Ives Song Book, Ballantine Books, Bk (1963/1953), p 34
Johnstone, Malcolm. Origins, Savant 1002, LP (1978), trk# 3
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Lowman, Jim; and Elaine Reichenbacher. Jim & Elaine - A Celebration, Lowman & Reichenbacher, CD (1998), trk# 14
Mainer's Mountaineers. J. E. Mainer's Mountaineers, Arhoolie 5002, LP (1973), trk# 6
McCutcheon, John. Wind That Shakes the Barley, June Appal JA 014, LP (1977), trk# 11
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Miles, Michael (Mike). Banjo Newsletter, BNL, Ser (1973-), 1985/02,p22
Moore, David T.. Dulcimer Players News, DPN, Ser, 24/4, p17(1998)
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New Grange. Winter's Eve, Compass 7 4349 2, CD (2004), trk# 4
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Sweeney, Ed. Inside Fezziwig's, the Spirit of Christmas Past, Kicking Mule KM 187, LP (1988), trk# 15
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Woods, Sylvia. Woods, Sylvia / Teach Yourself to Play the Folk Harp, Woods Books, sof (1978), p43 

 
OTHER NAMES: "Jesu" "Cantata 147"

SOURCES: Wiki

NOTES: "Greensleeves" (Also the melody of "What Child is This?") is a traditional English folk song and tune, a ground of the form called a romanesca.

A broadside ballad by this name was registered at the London Stationer's Company in 1580 as "A New Northern Dittye of the Lady Greene Sleeves". It then appears in the surviving A Handful of Pleasant Delights (1584) as "A New Courtly Sonnet of the Lady Green Sleeves. To the new tune of Green sleeves."

The tune is found in several late 16th century and early 17th century sources, such as Ballet's MS Lute Book and Het Luitboek van Thysius, as well as various manuscripts preserved in the Cambridge University libraries.

Greensleeves and Henry VIII
There is a persistent belief that Greensleeves was composed by Henry VIII for his lover and future queen consort Anne Boleyn. Boleyn allegedly rejected King Henry's attempts to seduce her and this rejection may be referred to in the song when the writer's love "cast me off discourteously". However, Henry did not compose "Greensleeves", which is probably Elizabethan in origin and is based on an Italian style of composition that did not reach England until after his death.

Lyrical interpretation
One possible interpretation of the lyrics is that Lady Green Sleeves was a promiscuous young woman and perhaps a prostitute. At the time, the word "green" had sexual connotations, most notably in the phrase "a green gown", a reference to the way that grass stains might be seen on a lady's dress if she had made love outside.

An alternative explanation is that Lady Green Sleeves was, as a result of her attire, incorrectly assumed to be immoral. Her "discourteous" rejection of the singer's advances supports the contention that she is not.

In Nevill Coghill's translation of The Canterbury Tales, he explains that "green [for Chaucer’s age] was the colour of lightness in love. This is echoed in 'Greensleeves is my delight' and elsewhere."

Alternative lyrics
The hymn What Child Is This? by William Chatterton Dix, set to the "Greensleeves" tune, is used across the Western Christian Church.

A variation was used extensively in the 1962 film How the West Was Won as the song "Home in the Meadow", lyrics by Sammy Cahn, performed by Debbie Reynolds.[6]

Early literary references
In Shakespeare's The Merry Wives of Windsor, written around 1602, the character Mistress Ford refers twice without any explanation to the tune of "Greensleeves" and Falstaff later exclaims:

Let the sky rain potatoes! Let it thunder to the tune of 'Greensleeves'!
These allusions indicate that the song was already well known at that time.


"Greensleeves" is often played in Dorian mode and sometimes in the natural minor scale. However, the earliest known source of the tune (Trinity College, Dublin ms. D. I. 21, c. 1580 - known as "William Ballet's lute book") gives the tune in the melodic minor scale.